by Raevia Ward » Wed Oct 05, 2022 5:21 pm
Kalgri Sicaria wrote:Dying Ember:
Guttering, sputtering,
Waning, dying,
The light finally fading,
Darkness rising
Gosh I love the imagery you used here...Just, the movement and the repeated continuous forms, I love it.
It's so hard to pick a favourite Poe work, I particularly love his short stories. If I have to choose, I think my favourite of his is, incidentally, The Raven itself. I love the musicality of it, the alliteration and the assonance is used so masterfully that it's really nice to listen to, but also conveys the whole feeling of being half awake-and half dreaming. It creates this hazy atmosphere that the poem starts describing the speaker in, you know, he's sitting there working on his books, the sentences are running into each other in his head (not unlike how the poem itself runs nicely) half asleep and half reading.
I'm particularly fond of the "“Surely,” said I, “surely that is something at my window lattice;/Let me see, then, what thereat is" (33-4) where the rhyme is in the middle of the line, because 1) it's such a clever rhyme, I love reading it aloud 2) it's creating suspense for the second part of the line "and this mystery explore—" which is a poetic device dear to me. Poe is, in general, a master of creating the atmosphere, I think.
Putting aside the artistry of the poem, I think an old man talking to a raven is also such a fun concept to read about
especially because recently I've learned ravens actually
do talk!! They are able to imitate human sounds pretty well!
[quote="Kalgri Sicaria"][u]Dying Ember:[/u]
Guttering, sputtering,
Waning, dying,
The light finally fading,
Darkness rising
[/quote]
Gosh I love the imagery you used here...Just, the movement and the repeated continuous forms, I love it.
It's so hard to pick a favourite Poe work, I particularly love his short stories. If I have to choose, I think my favourite of his is, incidentally, The Raven itself. I love the musicality of it, the alliteration and the assonance is used so masterfully that it's really nice to listen to, but also conveys the whole feeling of being half awake-and half dreaming. It creates this hazy atmosphere that the poem starts describing the speaker in, you know, he's sitting there working on his books, the sentences are running into each other in his head (not unlike how the poem itself runs nicely) half asleep and half reading.
I'm particularly fond of the "“Surely,” said I, “surely that is something at my window lattice;/Let me see, then, what thereat is" (33-4) where the rhyme is in the middle of the line, because 1) it's such a clever rhyme, I love reading it aloud 2) it's creating suspense for the second part of the line "and this mystery explore—" which is a poetic device dear to me. Poe is, in general, a master of creating the atmosphere, I think.
Putting aside the artistry of the poem, I think an old man talking to a raven is also such a fun concept to read about :lol: especially because recently I've learned ravens actually [i]do [/i]talk!! They are able to imitate human sounds pretty well!